Video-Prompts: 65 Vorlagen für Higgsfield, Kling, Veo
Prompts für Veo, Kling und Higgsfield: Produktclips, Ads, Erklärvideos, Kamerabewegungen.
Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)22 Prompts · UGC-Anzeigen, Produkt-Spots, Kamerafahrten
Kling 3.0 und Kling 4.022 Prompts · Produktvideos, Social Ads und Reels, Employer Branding
Google Veo 3.121 Prompts · Produktvideos, Social Clips und Ads, Employer Branding
65 Prompts
Anzeige im Stil eines Handyvideos mit fiktiver Creatorin, etwa mit Kling 3.0 und Ton.
A fictional woman in her late twenties with curly brown hair and a beige sweater sits at a kitchen table, holds [PRODUKT] up to the camera and talks directly into the lens. Woman (excited, casual, authentic tone): "[HOOK_SATZ]" She turns the product to show the label, then smiles. Selfie-style medium close-up filmed on a phone front camera at arm's length, eye level or slightly above, wide phone lens look with everything in focus. Slight handheld shake and small natural reframing. Window light from the side as the only key, no fill, natural falloff, daylight around 5000K. Her face on the upper third, the product raised into the center when shown. Unpolished phone colors without grading, realistic skin texture, no plastic look. Casual, trustworthy mood. Vertical 9:16, 8 seconds, 30fps, native audio on, quiet kitchen ambience.
Platzhalter ausfüllen 2
Hier wirkt bewusst wenig Handwerk am echtesten: Handy-Weitwinkel, ein Fenster als Licht, kein Grading. KI-Testimonials müssen als KI erkennbar sein und dürfen keine erfundenen Kundenerfahrungen vortäuschen; lass das vor dem Schalten prüfen.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsFaceless-UGC für Shops, bei dem nur Hände zu sehen sind.
Two hands with short nails open a parcel on a bed with a light grey blanket, pull out [PRODUKT] wrapped in tissue paper, unwrap it and turn it once to show the details. First-person POV from a high angle, as if filmed on a phone held at chest height, wide phone lens look with deep focus. Handheld with a gentle sway, moving slightly closer as the product is revealed. Soft daylight from a window on the left, warm around 4800K, soft shadows, low contrast. The product ends in the center of the frame, the blanket texture filling the edges. Natural, slightly warm phone colors. Relaxed, satisfying mood. Realistic hands, product proportions unchanged, no text. Vertical 9:16, 8 seconds, 30fps, the sound of paper rustling.
Platzhalter ausfüllen 1
Schreib die Griffe genau auf, also welche Hand hält und welche zieht, dann bleiben die Finger sauber. Die hohe POV-Perspektive macht den Clip glaubwürdig, weil sie dem Blick beim eigenen Auspacken entspricht.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsKlassisches Anzeigenformat mit Schmerzpunkt und Auflösung.
Casual phone footage. 0-3s: a fictional man in his thirties in a hoodie looks annoyed at [PROBLEM_SITUATION], static medium shot at eye level, wide phone lens. 3-7s: he picks up [PRODUKT] and uses it, close-up on the hands from a slight high angle, slight push-in. 7-10s: he looks into the camera, relieved, and gives a small nod, medium close-up at eye level. Handheld with small natural shake throughout, quick jump cuts between the beats. Light from a ceiling lamp and a window on the right, mixed warm and daylight, real contrast. Subject centered like a typical phone video. Unpolished colors, no grade. Mood from annoyed to relieved. Consistent face and clothes throughout. Vertical 9:16, 10 seconds, 30fps, light room tone, no music, no text.
Platzhalter ausfüllen 2
Leg das Problem auf eine sichtbare Handlung, etwa ein Kabelsalat oder ein volles Postfach. Die Jump Cuts zwischen den Beats machen den Handy-Look glaubwürdiger als jede Lichtangabe.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsB2B-Anzeige für ein Software-Produkt ohne Bildschirmaufnahme.
A fictional woman in her forties with glasses sits at a laptop in a home office; she clicks, pauses, then leans back with a relieved smile and closes the laptop halfway. Medium close-up from a three-quarter side angle at eye level, 50mm lens at f/2, the plants in the background in soft blur. Static camera with a slight handheld float. Late afternoon window light from behind her as a warm 4000K key, the screen glow in [MARKENFARBE] as soft fill on her face, medium contrast. Her face on the right third, the laptop edge leading toward her. Natural, slightly warm grade with soft highlights. Quiet relief. No readable text on the screen. Vertical 9:16, 7 seconds, 24fps, quiet keyboard sounds and room tone.
Platzhalter ausfüllen 1
Das Bildschirmlicht in [MARKENFARBE] als Aufhellung im Gesicht bringt die Marke ins Bild, ganz ohne Logo. Deine echte Oberfläche schneidest du später als Bildschirmaufnahme dazwischen, generierte Benutzeroberflächen sind nie korrekt.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsCGI-Spot ohne Menschen, ähnlich dem Hypermotion-Stil im Marketing Studio.
Pure CGI product commercial. [PRODUKT] floats in the center of a dark studio and rotates slowly; its parts separate into an exploded view, hover for a moment, then snap back together with a soft impact. Medium shot at eye level, ending on a hero front view, 85mm look at f/5.6 so every part stays sharp. The camera circles the product in a smooth 180 degree arc at constant speed. Rim lights in [MARKENFARBE] from both sides, a small top softbox as key, no fill, deep black background, high contrast, fine particles in the air catching the light. Perfectly centered, symmetrical composition. Glossy reflections, deep blacks, saturated color only in the rim light. Precise, powerful mood. No people, no text, no voiceover. 16:9, 8 seconds, 24fps, a mechanical whoosh on the separation and a bass hit when the parts snap back.
Platzhalter ausfüllen 2
Für die Explosionsansicht vorher ein klares Produktfoto als Referenz geben, sonst erfindet das Modell Bauteile. Die zwei Kantenlichter in [MARKENFARBE] tragen den ganzen Look, das restliche Bild bleibt schwarz.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsFood- und Getränkespot für Social Ads oder Messebildschirm.
A glass bottle of [GETRAENK] stands on a wet black surface; ice cubes drop into a glass next to it and [FLUESSIGKEIT_FARBE] liquid splashes up in a crown shape, droplets frozen in the air. Medium close-up from a low angle near table height, 100mm macro lens at f/5.6, the splash sharp against a black background. The camera holds still, then slowly pushes in. Hard backlight through the liquid makes it glow, two strip lights at the sides draw clean highlights on the bottle edges, black flags keep the contrast deep, condensation on the glass. Bottle on the left third, splash on the right third, black negative space above. Rich, saturated grade with crisp highlights. Fresh, energetic mood. High-end beverage commercial in slow motion as if shot at 120fps, 9:16 vertical, 6 seconds, crisp sounds of ice and liquid.
Platzhalter ausfüllen 2
Das Gegenlicht durch die Flüssigkeit ist der stärkste Regler, ohne es wirkt das Getränk stumpf. Bei Seedance oder Cinema Studio steuerst du die Zeitlupe zusätzlich über die Speed-Ramp-Einstellung.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsDetailspot für Kosmetik, Pflege oder Lebensmittel mit sichtbarer Konsistenz.
A single swipe of [PRODUKT] spreads across a smooth pastel surface in [MARKENFARBE]; the texture folds and glides slowly, showing its creamy consistency and soft shine. Extreme close-up at a low three-quarter angle, 100mm macro lens at f/4 with a shallow depth of field along the swipe. The camera follows the swipe in a gentle lateral move from left to right. Large diffused softbox from above as key, a white card as fill from the front, soft highlights on the ridges of the cream, low contrast. The swipe as a diagonal from lower left to upper right, clean negative space above. Soft pastel grade, clean whites, gentle sheen. Fresh, sensual mood. Premium beauty commercial look, slow motion as if shot at 60fps, 9:16, 5 seconds, a soft gliding sound, no text.
Platzhalter ausfüllen 2
Beschreib die Konsistenz mit einem Vergleich wie dick wie Joghurt. Die große Softbox von oben macht den Glanz auf den Kämmen der Creme, das ist hier der wichtigste Regler.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsMotion-Clip für digitale Produkte ohne physisches Objekt.
Clean 3D motion design for a software brand: rounded glass cards in [MARKENFARBE] and white slide in from the sides, stack into a neat dashboard shape and light up one after another, a soft glowing line connecting them as a symbol for [FUNKTION]. Medium wide shot from a slight high angle of about 20 degrees, 50mm look at f/4, the background softly out of focus. The camera slowly dollies in and tilts slightly upward. Large soft key from the upper left, frosted glass refractions and subtle rim highlights on the card edges, soft contact shadows, low contrast. Centered composition, cards on a clean grid, generous negative space on the right for a headline. Light background, white with [MARKENFARBE] as accent, smooth gradients. Calm, premium mood with smooth easing. No readable text, no logos. 16:9, 8 seconds, 30fps, subtle UI clicks and a soft synth pad.
Platzhalter ausfüllen 2
Im Marketing Studio gibt es dafür den Typ SaaS Motion, der aus deiner Website-URL baut; dieser Prompt passt für Seedance oder Kling. Lass rechts Fläche frei, dort sitzt später deine Headline.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsSchnelle, präzise Kamerafahrt für Produktlaunch oder Messe.
[PRODUKT] stands on a rotating turntable in a dark studio. Starts as an extreme close-up on the logo and ends as a medium shot of the full product at eye level, 35mm lens at f/8 for sharp focus throughout. The camera moves like a motion-control robot arm: it whips fast in an arc to the side, then decelerates into a slow, steady reveal, with a sharp speed ramp in the middle. A single vertical strip light as hard key from the right, a second strip as rim on the left edge, black background, hard contrast, glossy reflections. The product ends centered as a strong symmetrical silhouette. Cool, high-contrast grade with neutral metallic tones. Precise, technical mood. 16:9, 6 seconds, 24fps, a servo whoosh on the whip and a deep hit on the stop.
Platzhalter ausfüllen 1
In Cinema Studio 4.0 wählst du dafür die Kamerabewegung Robot Arm, dann kann der Text kürzer sein. Die zwei schmalen Striplights zeichnen die Kontur, mit einer Softbox würde das Produkt flach.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsEinstieg für Imagefilm oder Karriereseite.
A modern [GEBAEUDETYP] in [LANDSCHAFT], a few cars arriving in the parking lot, light morning mist over the ground. Starts as a low wide aerial shot over the landscape and ends as a high three-quarter establishing shot of the building, 24mm lens look at f/8 with deep focus. Helicopter shot: the camera flies low and forward, then rises and turns slowly to reveal the building, wide and steady. The rising sun to the left as a low golden key at 3000K, long shadows, mist glowing in the light, medium contrast. The road as a leading line toward the building, the building on the right third, sky as negative space. Cinematic warm grade with soft teal shadows and a touch of film grain. Optimistic, open mood. 21:9, 8 seconds, 24fps, wind and a distant rotor sound under a soft score.
Platzhalter ausfüllen 2
Das ist ein fiktives Gebäude; willst du dein echtes zeigen, nimm ein eigenes Foto als Startframe. Tiefes Morgenlicht von der Seite plus Dunst gibt die meiste Tiefe.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsRuhiger, emotionaler Moment für Markenfilm oder Kampagne.
A fictional founder in her fifties stands at a large window of a [ORT] and looks out, thoughtful; at the end she turns her head slightly toward the camera. Starts as a medium wide shot at chest height and ends in a medium close-up of her profile, three-quarter angle. 35mm lens at f/1.4, shallow depth of field, the view outside soft. The camera makes a slow physical dolly-in, not a zoom, at constant speed. Soft overcast daylight from the window as the only key, no fill, the far side of her face falling into shadow, low-key contrast. She stands on the right third, the window frame as foreground framing, negative space toward the window. Muted, desaturated grade with soft highlights and a subtle Kodak Portra 400 texture. Reflective, quiet mood. Cinematic drama style, 16:9, 7 seconds, 24fps, quiet room tone and distant city sound.
Platzhalter ausfüllen 1
Higgsfield rät, Dolly und Zoom ausdrücklich zu unterscheiden, sonst wählt das Modell oft den Zoom. Die Stimmung macht das Fenster als einziges Licht ohne Aufhellung.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsVirtueller Rundgang durch Ladengeschäft, Showroom oder Messestand.
First-person POV walk through a bright [RAUMTYP] showroom, past shelves with [PRODUKTKATEGORIE], toward one highlighted product on a podium. Eye-level POV at walking height, 24mm wide lens at f/5.6, shelves sharp in the foreground. Smooth stabilized forward movement with a gentle natural sway, slowing down and tilting slightly toward the podium. Warm 3000K spotlights on the products as key, cooler 5000K ambient light on the walls, medium contrast that makes the products pop. Shelves as leading lines toward the podium in the center. Clean, bright grade with accents in [MARKENFARBE]. Inviting, curious mood. No readable text. 16:9, 10 seconds, 24fps, soft footsteps and quiet store ambience.
Platzhalter ausfüllen 3
Für echte Räume ein Foto als Startframe verwenden und dazuschreiben, dass Grundriss und Möbel gleich bleiben. Warme Spots auf kühleren Wänden lenken den Blick auf die Ware.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsRecruiting-Reel, das einen Beruf in drei Momenten zeigt.
Recruiting reel about a day as a [BERUF]. 0-4s: a fictional employee arrives at work in the morning, medium tracking shot from behind at shoulder height, 35mm at f/2.8, cool morning light around 5500K. 4-9s: focused work on [TYPISCHE_AUFGABE], close-up from a three-quarter angle, 85mm at f/2, shallow depth of field, slow push-in, hard side light. 9-13s: a short laugh with two colleagues during a break, handheld medium shot at eye level, warm daylight around 4500K. Cuts on movement between the shots. The main person on the thirds, faces with lead room. Natural documentary grade, consistent across shots, light grain. Authentic, warm mood. Same person, same work clothes in every shot. Vertical 9:16, 13 seconds, 24fps, the ambient sound of each place.
Platzhalter ausfüllen 2
Am stärksten wirkt der Clip, wenn [TYPISCHE_AUFGABE] eine sichtbare Tätigkeit ist, die Bewerber wirklich erwartet. Das 85-mm-Close-up in der Mitte ist der Moment, den man sich merkt.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsSymbolclip für Unternehmenswerte auf Karriereseite oder in Präsentationen.
Series of close-ups of hands working together on a wooden table: one hand passes a [WERKZEUG_ODER_GEGENSTAND] to another, two hands hold a plan flat, several hands place pieces of a model in the right spot. Close-ups at hand height, slightly from above, 50mm lens at f/2, shallow depth of field. The camera slides slowly sideways along the table, steady and continuous. Warm window light around 4000K as soft key from the left, gentle bounce from the table as fill, soft shadows, low contrast. Hands on the lower third, the table edge as a horizontal line through the frame. Warm, natural grade with soft film grain and earthy tones. Calm, connected mood. No faces, no text. 16:9, 8 seconds, 24fps, soft sounds of paper and wood.
Platzhalter ausfüllen 1
Ohne Gesichter wirkt der Clip neutral und du umgehst Fragen zum Bildrecht. Die seitliche Fahrt auf Handhöhe verbindet die Einzelmomente zu einer Bewegung.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsAtmosphärischer Einstieg für Karriere- oder Standortvideos.
Fictional employees arrive on foot and by bike at the entrance of a [GEBAEUDETYP] early in the morning, one holds the door open for another, coffee cups in hand. Starts as a low-angle medium shot near the door and ends as a wide shot of the facade, 24mm lens at f/5.6. The camera sits low near the door and makes a slow crane-up as the people walk in. Light shifts from cool blue hour around 7000K to golden sunrise around 3200K hitting the facade from the side, soft contrast. The door on the center line, people moving through the frame from right to left, sky as negative space at the end. Cinematic natural grade, warm highlights against cool shadows. Friendly, fresh mood. Realistic documentary style, 16:9, 7 seconds, 24fps, birds, a bike bell and soft footsteps.
Platzhalter ausfüllen 1
Achte auf eine realistische Mischung aus Alter und Kleidung, sonst wirkt die Szene wie Stockfoto. Der Wechsel von Blauer Stunde zu Sonnenaufgang erzählt den Morgen von allein.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsErster Schritt: ein Standbild der fiktiven Werbefigur, etwa mit Soul 2.0.
Full-body photo of a fictional [ROLLE] in [ALTER], [AUSSEHEN], wearing [KLEIDUNG], standing relaxed, facing the camera, neutral expression with a slight smile. Full shot at eye level, 85mm portrait lens at f/8, face and clothing sharp, no distortion. Large octabox as soft key from the front slightly above, white fill from below, a soft hair light from behind, 5600K, even and low in contrast, no harsh shadows on the face. Centered composition with space above the head and below the feet. Plain light grey seamless studio background, neutral true-color grade, natural skin texture. Calm, neutral mood. Photorealistic, sharp focus, 3:4 portrait format.
Platzhalter ausfüllen 4
Dieses Bild ist dein Anker für alle weiteren Schritte; nimm dir hier die meisten Versuche. Gleichmäßiges, neutrales Licht zählt hier mehr als Stimmung, dann lässt sich die Figur später in jedes Licht setzen.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsZweiter Schritt: Basisfigur per Bildbearbeitung in die Werbeszene setzen.
Keep the exact same person, same face, same hairstyle, same clothes and same body proportions as in the reference image. Place this person in [UMGEBUNG], standing [POSITION_IN_SZENE], holding [PRODUKT] at chest height. Medium full shot at eye level, 50mm lens at f/2.8, background softly blurred. Match the lighting to the new scene: [LICHT], with the key coming from the same side as the main light source of the environment and a subtle rim separating the person from the background. Person on the left third, product near the center line, negative space on the right. Grade matched to the environment, natural shadows on the ground. Confident, approachable mood. Photorealistic, 9:16 vertical.
Platzhalter ausfüllen 4
Ändere pro Durchgang nur eine Sache, erst Ort, dann Licht, damit das Gesicht nicht wegdriftet. Gib bei [LICHT] die Richtung der Lichtquelle an, das verhindert den aufgeklebten Look.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsDritter Schritt: das Szenenbild mit Kling 3.0 oder Seedance in Bewegung bringen.
Animate the start frame: the person lifts [PRODUKT] slightly, looks at it, then looks into the camera and smiles, gentle breathing visible. Keep the lens look, angle and depth of field of the image. 0-2s: still, then a slow push-in from a medium shot to a medium close-up. 2-5s: the head turns toward the camera. Keep the existing light direction, with the highlights shifting slightly as the person moves. The eyes settle on the upper third line. Grade as in the image. Calm, natural pace, warm mood. Keep face, clothes and product exactly as in the image. 5 seconds, 24fps, light room ambience.
Platzhalter ausfüllen 1
Beschreib hier kein Aussehen mehr, nur Handlung, Kamera, Timing und Stimmung; so empfiehlt es Higgsfield. Objektiv und Licht hältst du mit einem Satz fest, statt sie neu zu erfinden.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsZwei vorhandene Produktbilder zu einer Kamerafahrt verbinden.
Use the first image as start frame and the second image as end frame: the camera travels from the front view of [PRODUKT] to the detail view of the end frame while light glints slide across the surface. Starts as a medium shot at eye level and ends as a close-up from a three-quarter angle, consistent 85mm lens look at f/5.6. One smooth move, arcing slightly to the right while pushing in, easing in and out. Keep the light setup of both images, one slowly moving specular highlight as the only change in light. The product stays on the center line during the move. Clean commercial grade matching both frames. Calm, premium mood. No cuts, no new objects, product shape and label unchanged. 6 seconds, 24fps, a soft whoosh.
Platzhalter ausfüllen 1
Start- und Endframe gibt es bei Higgsfield ab dem Plan Plus; bei Kling-Nodes im Canvas zählt ein verbundenes Bild als Startframe. Ein festes Objektiv im Prompt hält die Perspektive während der Fahrt stabil.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsMit Genjutsu Object Swap aus einem Gewinner-Video eine Variante für ein anderes Produkt machen.
Replace the [ALTES_PRODUKT] in the video with [NEUES_PRODUKT] from the reference image. Keep the hand movements, camera motion, framing, lens look, depth of field, timing and everything else in the scene exactly the same. The new product has the same size in the hand, sits in the same focal plane and catches the same light: same key direction, same reflections, same shadow on the fingers. Grade and color temperature unchanged. Label and colors exactly as in the reference image.
Platzhalter ausfüllen 2
Nimm ein Referenzfoto aus ähnlichem Blickwinkel wie im Video. Der Satz zu Schärfeebene und Lichtrichtung entscheidet, ob das neue Produkt eingesetzt oder echt wirkt.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsLocation einer bestehenden Anzeige an ein Zielland anpassen.
Restyle the environment of this video so it takes place in a typical street scene in [STADT]: matching architecture, street signs without readable text, local cars and weather of [JAHRESZEIT]. Keep the person, their movement, the camera path, shot size, angle, lens look and timing unchanged. Relight the scene for the new location with [TAGESZEIT] light, the sun coming from the same side as in the original so the shadows on the person still match. The background keeps the same depth of field. Grade adjusted to the local light, skin tones unchanged. Realistic, same aspect ratio as the original, street ambience that fits [STADT].
Platzhalter ausfüllen 3
Die Sonnenrichtung aus dem Original beizubehalten ist der wichtigste Satz, sonst passen die Schatten auf der Person nicht. Untertitel und Sprache passt du getrennt an, Higgsfield bietet dafür Translate mit Deutsch unter 18 Sprachen.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsAlternative erste Sekunden für A/B-Tests, Rest der Anzeige bleibt gleich.
Opening shot only, to be placed before an existing ad: [HOOK_MOTIV] fills the frame in an extreme close-up, then the camera snaps back fast to a medium shot that matches the first frame of the existing ad. Eye level, 35mm lens at f/2.8, matching the lens look of the reference frame. One fast pull-back with a whip-like ease out and motion blur during the move. Same light direction, color temperature and contrast as the reference frame. The shot ends exactly on the composition of the reference frame so the cut disappears. Same grade and colors as the existing ad. High energy, curious mood, sharp focus, no text. Vertical 9:16, 3 seconds, 24fps, a short whoosh on the snap back.
Platzhalter ausfüllen 1
Lade das erste Bild deiner Anzeige als Referenz hoch, damit der Schnitt nicht springt. Gleiche Brennweite wie im Original ist dabei der Regler, der den Anschluss am meisten trägt.
Aus: Higgsfield (Cinema Studio 4.0, Kling 3.0, Seedance 2.5)-PromptsHero-Clip für Shop, Landingpage oder Produktseite.
[PRODUKT] stands perfectly still on a matte stone pedestal in a clean photo studio. Medium shot at eye level, 85mm lens at f/4, the product sharp edge to edge while the backdrop melts away. The camera orbits slowly 90 degrees to the right on a smooth track and settles on a three-quarter view. Large softbox as key light from the upper left at 45 degrees, white bounce card as fill on the right, a thin strip light behind the product as rim tracing the edges, 5600K daylight balance, medium contrast. Centered composition with generous negative space above the product. Seamless backdrop in [MARKENFARBE] with a soft gradient, clean neutral grade, true-to-life colors. Calm, premium mood. Label and logo stay sharp and unchanged. 16:9, 5 seconds, 24fps, faint studio room tone, no music.
Platzhalter ausfüllen 2
Den größten Unterschied macht das Licht: Softbox oben links plus Streiflicht von hinten löst das Produkt vom Hintergrund. Lade dazu ein freigestelltes Produktfoto als Startframe hoch, dann bleibt die Beschriftung stabil.
Aus: Kling 3.0 und Kling 4.0-PromptsZeigt in wenigen Sekunden, wie das Produkt benutzt wird.
Two hands use [PRODUKT] on a light oak table in a bright [UMGEBUNG]; the hands [HANDLUNG] in one smooth, natural motion. Close-up from a slight high angle, as if looking over the user's shoulder, 50mm lens at f/2.8 with the product in focus and the room softly blurred. Slow dolly push-in from a medium close-up to a close-up over the full clip. Morning window light from the right as a soft, warm key at 4500K, a white wall bouncing gentle fill from the left, low contrast with soft shadows. Product on the right third, hands entering from the left, the table edge as a leading line into the frame. Natural, slightly warm lifestyle grade with a subtle Kodak Portra 400 feel and fine grain. Relaxed, everyday mood. Realistic skin texture, natural finger positions, product proportions unchanged. 16:9, 6 seconds, 24fps, soft room ambience and the quiet sound of the product in use.
Platzhalter ausfüllen 3
Beschreib bei [HANDLUNG] genau, wo die Hand greift und was sie drückt. Fürs Bild wirkt der leichte Blick von oben über die Schulter am stärksten, er macht aus der Produktszene eine Nutzersicht.
Aus: Kling 3.0 und Kling 4.0-PromptsDetailclip für Qualitätsversprechen wie Verarbeitung oder Material.
The surface of [PRODUKT], showing the texture of [MATERIAL] in fine detail. Extreme close-up at a low grazing angle, almost parallel to the surface, 100mm macro lens at f/2.8 with a razor-thin focal plane. The camera slides slowly from left to right on a slider, steady and even. A single hard light rakes across the material from the side at a very low angle, a narrow strip of light travels with the camera and reveals the structure, no fill, deep black shadows, high contrast. Diagonal composition with the texture running from lower left to upper right, dark negative space in the top third. Neutral, slightly cool grade, deep blacks, crisp micro detail. Precise, premium mood. 16:9, 5 seconds, 24fps, no sound.
Platzhalter ausfüllen 2
Am meisten bewirkt das Streiflicht: flaches Licht von der Seite zeigt jede Struktur, Licht von vorn macht sie platt. Nenne das Material so genau wie möglich, also gebürstetes Aluminium statt Metall.
Aus: Kling 3.0 und Kling 4.0-PromptsAuspack-Clip für Shop, Newsletter oder Social Media ohne Gesicht.
Two hands open a box in [VERPACKUNGSFARBE] on a white desk, lift the lid, take out [PRODUKT] and place it in the center of the frame. Top-down flat lay view with the camera at 90 degrees above the desk, 35mm lens at f/8 for deep focus, so box, hands and product all stay sharp. Locked-off static camera. Large overhead softbox as an even key, 5600K daylight, the white surface bouncing fill, low contrast with barely visible shadows. Perfectly centered, symmetrical composition with clean negative space around the box. Bright, airy grade with clean whites and true packaging colors. Calm, satisfying mood with an unhurried pace. Realistic hands, product proportions unchanged. 9:16 vertical, 8 seconds, 24fps, crisp sounds of cardboard and tissue paper.
Platzhalter ausfüllen 2
Der wichtigste Regler ist f/8 mit fester Kamera: alles bleibt scharf, der Blick folgt nur den Händen. Für Instagram und TikTok 9:16 lassen, für den Shop auf 1:1 umstellen.
Aus: Kling 3.0 und Kling 4.0-PromptsEinstieg für Reels und TikTok-Anzeigen, der beim Scrollen auffällt.
[PRODUKT] waits in the center of a [UMGEBUNG]. Starts as a wide shot and ends in a close-up, low angle slightly below the product so it looks heroic, 24mm wide lens at f/4 to exaggerate speed and depth. In the first second the camera rushes forward in a fast push-in and stops abruptly on the product, then holds locked-off while a bright specular highlight sweeps across it. Hard key light from the upper right, rim light in [MARKENFARBE] from behind, punchy contrast. Centered composition, the lines of the surroundings converging on the product. Saturated grade with accents in [MARKENFARBE] and crisp blacks. Energetic, bold mood. Sharp focus on the product, no text in the image. 9:16 vertical, 5 seconds, 24fps, a whoosh on the push-in and a short impact sound on the stop.
Platzhalter ausfüllen 3
Das Tempo kommt vom 24-mm-Weitwinkel, er übertreibt jede Fahrt nach vorn. Den Hook-Text setzt du später im Schnittprogramm, generierte Schrift im Video ist schwer zu korrigieren.
Aus: Kling 3.0 und Kling 4.0-PromptsZeigt den Nutzen eines Produkts oder einer Dienstleistung als Verwandlung.
[ORT_VORHER], cluttered and disorganized, transforms smoothly over 6 seconds into a tidy, well-organized version of the same space with [ERGEBNIS] clearly visible. Medium wide shot at eye level, 35mm lens at f/8 so the whole space stays in focus. Locked-off camera on a tripod, perfectly still, so the change is easy to follow. At the start flat, cool overcast light at 6500K with low contrast; during the transformation sunlight breaks through the window as a warm 3200K key from the left and the contrast rises. Symmetrical, centered composition with the [ERGEBNIS] in the middle. The grade moves from desaturated grey-blue to warm, clean colors. The mood shifts from tired to relieved. 9:16 vertical, 6 seconds, 24fps, room ambience that brightens with a soft rising tone.
Platzhalter ausfüllen 2
Am zuverlässigsten wird es mit zwei eigenen Fotos als Start- und Endframe. Im Prompt ist der Lichtwechsel von kalt zu warm der stärkste Hebel, er erzählt den Nutzen ohne Worte.
Aus: Kling 3.0 und Kling 4.0-PromptsSchnelle Variante bestehender Produktbilder für Weihnachten, Sommer oder Aktionen.
[PRODUKT] stands on a wooden surface in a [SAISON] setting, decoration softly blurred behind it, small natural movements in the background such as drifting particles or gently moving leaves. Starts as a high-angle medium shot and ends at eye level in a medium close-up, 85mm lens at f/2 for creamy bokeh on the decoration. Slow crane down from the high angle to eye level over the full clip. Light matches the season: [LICHTSTIMMUNG], with a soft key from the side and a gentle backlight that makes the particles glow. Product on the right third, decoration as soft foreground framing in the lower left corner, negative space on the left for a headline. Warm, inviting grade in seasonal colors with [MARKENFARBE] as accent, light grain. Cozy mood. Product sharp and unchanged. 9:16 vertical, 6 seconds, 24fps, soft seasonal ambience.
Platzhalter ausfüllen 4
Beschreib bei [LICHTSTIMMUNG] Tageszeit, Lichtquelle und Farbtemperatur, etwa Kerzenlicht um 2700K am Abend oder harte Mittagssonne. Die weichen Lichtkreise im Hintergrund kommen vom 85-mm-Objektiv bei f/2.
Aus: Kling 3.0 und Kling 4.0-PromptsMini-Szene mit gesprochener Frage und Antwort für Anzeigen.
A fictional customer in her thirties in a green jacket talks to a fictional sales advisor in his forties in a navy polo shirt at a bright modern shop counter. Medium two-shot at eye level, 35mm lens at f/2.8, both faces sharp, the shop softly blurred. Handheld camera with a subtle sway, slowly drifting closer. Customer (curious, friendly tone): "[FRAGE]" Advisor (calm, confident tone, smiling): "[ANTWORT]" The advisor then hands over [PRODUKT]. The shop window as a soft daylight key from the left, warm ceiling practicals as fill, natural contrast. The two on the left and right thirds, the counter as a line between them. Warm, natural commercial grade with true skin tones. Friendly, trustworthy mood. 16:9, 8 seconds, 24fps, native audio on, quiet shop ambience under the dialogue.
Platzhalter ausfüllen 3
Kling 3.0 spricht kein Deutsch, also Sätze auf Englisch schreiben oder später vertonen; Deutsch kündigt Kling erst für 4.0 an. Fürs Bild zählen 35mm und Augenhöhe am meisten, dann wirkt das Gespräch ungestellt.
Aus: Kling 3.0 und Kling 4.0-PromptsAtmosphäre-Clip für Karriereseite und Stellenanzeigen.
Fictional team members of different ages work at desks in a bright open-plan office of a [BRANCHE] company, talk in small groups, and one person laughs while pointing at a laptop. Medium wide shot at chest height, 24mm lens at f/4 with the people in focus and the depth of the room visible. Smooth Steadicam tracking shot moving forward between the desks at walking pace, ending on a window with daylight. Large windows as a soft daylight key, warm desk lamps as practicals, gentle contrast. Desk rows as leading lines toward the window, plants passing close to the lens as foreground framing. Natural documentary grade with accents in [MARKENFARBE] and soft highlights. Lively, open mood. No readable text on screens. 16:9, 8 seconds, 24fps, soft office ambience with distant voices and keyboard sounds.
Platzhalter ausfüllen 2
Tiefe bekommt der Clip durch die Steadicam auf Brusthöhe mit Pflanzen im Vordergrund. Zeig echte Mitarbeitende nur mit deren Einwilligung und kennzeichne KI-Szenen auf der Karriereseite.
Aus: Kling 3.0 und Kling 4.0-PromptsRecruiting-Clip für Produktion, Handwerk oder Technik.
A fictional technician in a workshop carefully [ARBEITSSCHRITT] on a [WERKSTUECK]; fine dust or metal shavings float in a beam of light. Starts as an extreme close-up of the hands and ends in a medium shot that reveals the focused face and the workshop around, three-quarter angle slightly from below. 50mm lens at f/2, hands sharp, background falling off. Slow dolly pull-back over the full clip. Hard sunlight from a high window as a warm 3800K side key cutting through the dusty air, no fill, deep shadows, high contrast. Hands on the lower third at the start, the light beam as a diagonal across the frame. Warm, slightly desaturated documentary grade, deep blacks, fine film grain. Focused, proud mood. 16:9, 7 seconds, 24fps, authentic workshop sounds and a quiet machine hum.
Platzhalter ausfüllen 2
Das harte Seitenlicht durch staubige Luft macht aus Arbeit ein Bild, daran zuerst drehen. Ein konkreter Arbeitsschritt wie Schweißnaht prüfen wirkt glaubwürdiger als allgemeine Arbeit.
Aus: Kling 3.0 und Kling 4.0-PromptsOnboarding- oder Recruiting-Video, das den Start im Team zeigt.
A fictional new employee with a backpack enters the bright reception area of a [BRANCHE] company in the morning. A colleague walks up, smiles and shakes hands, right hand to right hand, then hands over a welcome package with a notebook and a mug in [MARKENFARBE]. Medium shot at eye level, 35mm lens at f/2.8, both people sharp. The camera follows the two in a slow lateral tracking move from left to right as they walk toward the office. Low morning sun through the glass doors as a warm backlight and rim, soft bounce from the light floor as fill, gentle contrast. The two start on the left third and walk into open space on the right. Fresh, warm grade with soft highlights and a touch of glow. Welcoming, authentic mood. 16:9, 8 seconds, 24fps, soft footsteps and friendly background chatter.
Platzhalter ausfüllen 2
Beim Händeschütteln die Position beider Hände beschreiben, sonst verschmelzen sie. Die meiste Wärme bringt das Gegenlicht der Morgensonne durch die Glastür.
Aus: Kling 3.0 und Kling 4.0-PromptsSzene für Karriereseite oder Präsentation über Zusammenarbeit.
Four fictional colleagues stand around a whiteboard covered with sticky notes and simple sketches; one person moves a sticky note, the others nod and one leans in to add a line. Medium wide shot at eye level, 35mm lens at f/4 so the group is sharp and the room stays readable. Slow dolly arc of about 60 degrees around the group, from the left side to the front. Large windows as a soft daylight key from the right, light wood and glass bouncing fill, natural contrast. The whiteboard in the center, the group in a loose semicircle, a glass wall edge as foreground framing at the start. Clean, bright grade with natural skin tones. Lively, collaborative mood. No readable text on the whiteboard. 16:9, 7 seconds, 24fps, murmured conversation and marker sounds.
Schreib dazu, dass keine lesbare Schrift entstehen soll, sonst tauchen Fantasiewörter auf. Der Kreisbogen um die Gruppe ist der wichtigste Regler, er zeigt die Gesichter nacheinander.
Aus: Kling 3.0 und Kling 4.0-PromptsErklärclip für Website oder Vertriebspräsentation.
Clean isometric 3D animation showing [PROZESS] in three steps: [SCHRITT_1] appears as a simple 3D object and moves along a path, reaches a second station and transforms, then arrives at the final station, which lights up in [MARKENFARBE]. Wide shot from a fixed isometric high angle of about 35 degrees, orthographic look without perspective distortion, everything in deep focus. The camera trucks slowly from left to right with the flow at a steady speed. Soft three-point studio lighting: large diffused key from the upper left, gentle fill, a subtle rim on the objects, soft contact shadows. Stations on a diagonal from lower left to upper right with plenty of negative space. Light grey background, muted pastel palette with [MARKENFARBE] as the only saturated color, matte materials. Clear, calm mood. No text. 16:9, 10 seconds, 30fps, smooth easing, a soft click at each station.
Platzhalter ausfüllen 3
Beschreib jeden Schritt als Gegenstand, etwa Paket oder Dokument. Am stärksten wirkt die Regel, dass nur [MARKENFARBE] gesättigt ist, dann findet das Auge das Ziel von allein.
Aus: Kling 3.0 und Kling 4.0-PromptsHintergrundclip für Präsentationen, Reports oder Investoren-Updates.
Abstract 3D bar chart made of glossy blocks in [MARKENFARBE] on a dark stage; the bars grow upward one after another from left to right, the last bar rising highest and catching a bright highlight. Starts low and wide, ends in a medium shot on the tallest bar, low angle looking up, 35mm lens at f/5.6. The camera cranes up slowly while pushing in toward the tallest bar. One large overhead softbox as key, a cool rim light from behind outlining the bars, dark surroundings, high contrast with soft reflections on the glossy floor. Bars on a rising diagonal, the tallest bar on the right third, negative space on the left for numbers added later. Dark, elegant grade with deep blacks. Confident, optimistic mood. No numbers, no labels. 16:9, 6 seconds, 24fps, a low swell building toward the last bar.
Platzhalter ausfüllen 1
Zahlen und Achsen ergänzt du im Präsentationsprogramm, links ist dafür Platz. Die Untersicht lässt den letzten Balken größer wirken, daran hängt die Aussage.
Aus: Kling 3.0 und Kling 4.0-PromptsKurzes Intro für ein Erklärvideo mit fiktiver Moderatorin.
A fictional presenter in her forties with short dark hair and a light blue blazer stands in a bright, modern studio, looks into the camera and speaks with natural gestures. Presenter (friendly, clear, confident tone): "[EINLEITUNGSSATZ]" Medium close-up at eye level, 85mm portrait lens at f/2, background softly blurred in [MARKENFARBE]. Very slow push-in during the sentence. Classic three-point setup: large softbox as key from the front left at 45 degrees, white bounce as fill on the right, soft rim light from behind to separate her hair from the background, 5600K, low contrast. Her eyes on the upper third line, a little lead room on the right. Clean corporate grade with natural skin tones. Approachable, competent mood. 16:9, 8 seconds, 24fps, native audio on, a clear voice in a quiet room.
Platzhalter ausfüllen 2
Halte den Satz unter 20 Wörtern, dann passt er in 8 Sekunden und die Lippen bleiben synchron. 85mm auf Augenhöhe verzerrt das Gesicht nicht, das ist bei Moderation der wichtigste Regler.
Aus: Kling 3.0 und Kling 4.0-PromptsMacht aus einem vorhandenen Teamfoto einen kurzen Clip für Social Media.
Animate the uploaded group photo with subtle, natural motion: the people smile a little more, two of them turn their heads slightly toward each other, hair and clothes move gently as if in a light breeze. Keep the original framing, angle and lens look of the photo. The camera pushes in very slowly toward the center of the group, no more than 10 percent closer. Keep the existing light direction and color temperature, with a faint shimmer of light moving across the scene. Keep every face, body shape and the background exactly as in the image. Grade matching the photo. Warm, calm mood. 5 seconds, 24fps, soft ambience matching the location.
Bei Bild-zu-Video hältst du Bildgröße und Licht fest, statt sie neu zu beschreiben. Begrenz die Fahrt auf 10 Prozent, sonst verändern sich Gesichter, und nutz nur Fotos, für die alle Abgebildeten eingewilligt haben.
Aus: Kling 3.0 und Kling 4.0-PromptsStandortclip aus einem Foto der Firmenzentrale.
Starting from the uploaded photo of the building, clouds drift across the sky and a few cars and people move naturally in the street. The shot starts at the framing of the photo and ends as a high-angle wide establishing shot, 24mm drone-lens look at f/8 with everything in focus. The camera rises slowly and pulls back like a drone, revealing more of the surroundings: [UMGEBUNG]. Golden hour, low sun from the side, long soft shadows, warm 3500K highlights against cool blue shadows, medium contrast. The building stays on the center line, roads as leading lines toward the facade. Cinematic warm grade with a gentle teal in the shadows and slight haze. Calm, proud mood. Keep the architecture, windows and the sign on the facade unchanged. 16:9, 6 seconds, 24fps, soft wind and distant street sound.
Platzhalter ausfüllen 1
Beschreib bei [UMGEBUNG] nur, was wirklich dort ist, sonst erfindet Kling Gebäude. Seitliches Licht zur Golden Hour gibt der Fassade Tiefe und Struktur.
Aus: Kling 3.0 und Kling 4.0-PromptsBringt vorhandene Packshots für Anzeigen in Bewegung.
Animate the uploaded product photo with a gentle parallax effect: foreground and background separate and [PRODUKT] gains depth, soft light glints move across its surface, a few small particles float in the air. Keep the original framing and angle with the look of a 50mm lens at f/2.8, the background turning slightly softer as the camera moves. The camera pushes in slowly and drifts slightly to the left. Keep the existing key light direction and add one slowly moving specular highlight. The product keeps its position in the frame. Clean commercial grade matching the photo. Calm, premium mood. Keep the product shape, colors, label and logo exactly as in the image. 5 seconds, 24fps, no sound.
Platzhalter ausfüllen 1
Je weniger sich am Produkt bewegt, desto genauer bleibt die Beschriftung. Die Bewegung steckt in Kamera und Glanzlicht, das Glanzlicht ist der Regler mit der größten Wirkung.
Aus: Kling 3.0 und Kling 4.0-PromptsVerbindet zwei vorhandene Motive, etwa Rohstoff und fertiges Produkt.
Start frame: [MOTIV_START]. End frame: [MOTIV_ENDE]. One continuous shot that connects both frames while the elements smoothly rearrange and transform. Shot size and angle move from the framing of the start frame to the framing of the end frame, with a consistent 35mm lens look at f/4. The camera pushes in on the start image, arcs slightly and settles exactly on the composition of the end frame. Light shifts gradually from a cool 6000K side light to a warm 3500K key, contrast rising toward the end. The main subject stays on the center line throughout so the eye has an anchor. The grade blends from cool to warm. Fluid, physically plausible motion, no cuts. Mood from raw to finished. Realistic commercial style, 6 seconds, 24fps, a soft whoosh during the transformation.
Platzhalter ausfüllen 2
Beide Bilder sollten gleiches Seitenverhältnis und ähnliches Licht haben, sonst springt der Übergang. Ein festes Objektiv im Prompt verhindert, dass die Perspektive mitten in der Verwandlung kippt.
Aus: Kling 3.0 und Kling 4.0-Prompts15-Sekunden-Spot mit Problem, Lösung und Ergebnis in einer Generierung.
Shot 1 (0-4s): a fictional office worker sits frustrated at a desk, [PROBLEM]. Medium shot at eye level, 35mm lens at f/2.8, locked-off camera. Cool overcast window light at 6500K from the left, flat and low in contrast, desaturated grey-blue grade. The person on the left third, empty space on the right. Hard cut to Shot 2 (4-9s): close-up from a slight high angle of the hands picking up [PRODUKT] and using it, 85mm lens at f/2, shallow depth of field, slow push-in, a warm sunbeam entering from the right. Hard cut to Shot 3 (9-15s): wide shot of the same person leaning back and smiling, the desk now tidy, 24mm lens at f/5.6, slow dolly pull-back, warm 4000K afternoon key with a golden rim on the shoulders, warm natural grade. Same person, same clothes in all shots. Mood from tense to relieved. 16:9, 15 seconds, 24fps, light office ambience and a soft click when the product is used.
Platzhalter ausfüllen 2
Leg die Figur als Element an und markiere sie in jedem Shot, dann bleibt das Gesicht gleich. Der Farbwechsel von kühl zu warm über die drei Shots trägt die Geschichte stärker als die Handlung.
Aus: Kling 3.0 und Kling 4.0-PromptsLängerer Clip für Kling 4.0, gesteuert über Keyframes.
Use the uploaded keyframes in order. 0-6s: high-angle wide establishing shot of [STANDORT] at sunrise, 24mm look with deep focus, slow aerial push-in, low sun from the side with long shadows and soft mist. 6-14s: the camera enters the building and glides on a Steadicam at chest height through the [ARBEITSBEREICH] while fictional employees start their work, 35mm at f/2.8, daylight mixed with warm practicals. 14-22s: eye-level close-ups of hands at work and a finished [PRODUKT] being checked, 85mm at f/2, shallow depth of field, slow lateral slides, hard side light. 22-30s: the team gathers outside, the camera cranes up and pulls back to a wide shot in warm evening light at 3200K. Smooth match-move transitions between keyframes. Faces on the rule-of-thirds lines, building lines leading toward the people. One consistent cinematic documentary grade, warm highlights, soft teal shadows, light grain. Proud, calm mood. Consistent faces and clothes. 16:9, 30 seconds, 24fps, the ambient sound of each place with a soft score building toward the end.
Platzhalter ausfüllen 3
Läuft nur mit Kling 4.0; setz Keyframes nur dort, wo sich das Bild deutlich ändert. Der eine Satz zum Grading hält die vier Abschnitte zusammen, ohne ihn wechselt der Look mit jedem Keyframe.
Aus: Kling 3.0 und Kling 4.0-PromptsSzene für Vertriebsvideo oder Schulung mit zwei Perspektiven.
Shot 1 (0-5s): over-the-shoulder shot from behind a fictional consultant toward a fictional client in a bright meeting room, eye level, 85mm lens at f/2, the consultant's shoulder as soft foreground framing on the left, the client on the right third. Client (worried, thoughtful tone): "[EINWAND]" Shot 2 (5-10s): reverse over-the-shoulder shot onto the consultant with the same lens and height, mirrored framing; the consultant nods and answers. Consultant (calm, reassuring tone): "[ANTWORT]" Shot 3 (10-14s): medium two-shot from the side, 35mm at f/2.8, both lean over a tablet and the client smiles, slow push-in. Locked-off camera in shots 1 and 2, hard cuts between shots, the 180-degree line kept. A large window as a soft daylight key from the side, gentle fill, natural contrast. Neutral grade leaning warm, true skin tones. Mood from tense to trusting. 16:9, 14 seconds, 24fps, native audio on, quiet room tone.
Platzhalter ausfüllen 2
Für Schulungen kannst du [EINWAND] mit echten Kundeneinwänden füllen und Varianten erzeugen. Gleiches Objektiv und gleiche Höhe in Schuss und Gegenschuss lassen den Schnitt wie gedreht wirken.
Aus: Kling 3.0 und Kling 4.0-PromptsRundumansicht für Produktseite, Marktplatz oder Messe-Screen.
[PRODUKT] stands on a matte black turntable in a dark studio and slowly rotates a full 360 degrees. Medium close-up at product height, slightly below eye level. 85mm lens at f/4, shallow depth of field, the product sharp, the background a soft charcoal blur. Lighting: one large softbox as key from above left and a thin strip light behind as rim to outline the silhouette as it turns, deep shadows, high-contrast low-key setup, neutral 5600K. Composition: product centered with even space on both sides. Camera: locked-off on a tripod, only the turntable moves, smooth and steady. Rich blacks, clean commercial grade, 24fps cinematic look. Premium, calm mood. 8 seconds, 16:9. SFX: a faint mechanical hum of the turntable. Ambient noise: quiet studio room tone.
Platzhalter ausfüllen 1
Das Rim Light von hinten trennt das Produkt vom dunklen Hintergrund, ohne es versinkt die Silhouette. Gib ein Foto des echten Produkts als Referenzbild mit, damit Form und Etikett über die ganze Drehung stimmen.
Aus: Google Veo 3.1-PromptsKurzer Clip für Shop, Newsletter oder Social Ads.
Two hands slowly open a [VERPACKUNG] on a wooden table, lift out [PRODUKT] and turn it once toward the camera to show the front. POV close-up from a high angle looking down, as if through the viewer's own eyes. 35mm lens at f/2.8, shallow depth of field locked on the product. Lighting: soft daylight from a nearby window on the left as key, around 5000K, a warm bounce from the tabletop, soft shadows and gentle contrast. Composition: the box centered at first, then the product rises into the upper third as it is lifted toward the lens. Camera: handheld with a subtle natural sway, tilting up slightly to follow the product. Warm, natural grade, 24fps. Curious, satisfying mood. 8 seconds, 9:16. SFX: crisp cardboard sliding, tissue paper rustling, a soft tap as the product is set down. Ambient noise: a calm, quiet room.
Platzhalter ausfüllen 2
Die Ich-Perspektive (POV) mit leichtem Handkamera-Wackeln macht den Clip nahbar, ein Stativ würde ihn sofort steril wirken lassen. Beschreib deine echte Verpackung möglichst genau, sonst zeigt das Video eine generische Box.
Aus: Google Veo 3.1-PromptsHochwertiger Detailclip, der Material und Verarbeitung zeigt.
A slow camera move across the [MATERIAL] surface of [PRODUKT], revealing seams, textures and fine details. Extreme close-up from a low raking angle just above the surface. 100mm macro lens at f/2.8, very shallow depth of field, the focus plane rolling smoothly over the details. Lighting: low-key, a single narrow hard light sweeps slowly across the surface as a moving highlight while everything else falls into deep shadow, high contrast, neutral color temperature. Composition: the seam or edge as a diagonal leading line through the frame. Camera: slow lateral dolly from left to right on a slider, perfectly smooth. Deep blacks, subtly desaturated luxury grade, 24fps. Elegant, controlled mood. 8 seconds, 16:9, 4K. Ambient noise: a soft, deep atmospheric tone. SFX: a gentle airy whoosh as the highlight passes.
Platzhalter ausfüllen 2
Das wandernde Licht trägt den Clip, beschreib seine Richtung so genau wie die Kamerafahrt. Für 4K stellst du die Länge auf 8 Sekunden, kürzere Clips gibt es nur in niedrigerer Auflösung.
Aus: Google Veo 3.1-PromptsAnwendungsclip, der zeigt, wofür das Produkt da ist.
A fictional [ANWENDER] uses [PRODUKT] in a realistic [UMGEBUNG], fully focused on the task. The clip starts as a medium shot and ends as a close-up of the product in action, camera at hip height from a side three-quarter angle. 35mm lens at f/2.8, focus shifting from the person to the product during the move. Lighting: natural daylight as key from a window or open sky, the location's own practical lights as fill, around 5600K, soft natural contrast. Composition: the person on the left third, working toward open space on the right. Camera: lateral tracking shot alongside the person, then a slow push in on the product, handheld but stabilized. Natural documentary grade with light grain, 24fps. Authentic, capable mood. 8 seconds, 16:9. SFX: the realistic sounds of the product being used. Ambient noise: the typical background sounds of the location.
Platzhalter ausfüllen 3
Der Wechsel von Halbtotale auf Nahaufnahme lenkt den Blick vom Menschen zum Produkt, das ist der Kern des Clips. Zeig nur Funktionen, die dein Produkt wirklich hat, das Video wirkt sonst wie ein falsches Leistungsversprechen.
Aus: Google Veo 3.1-PromptsDie ersten Sekunden einer Reels- oder TikTok-Anzeige.
A fast-paced vertical commercial for [PRODUKT], bright and punchy. [00:00-00:02] Extreme close-up of [PROBLEM_DETAIL] from a high angle with a 100mm macro look, hard top light and high contrast, a quick snap zoom in. [00:02-00:05] Whip pan into a medium shot of the product on a clean surface at eye level, 50mm lens at f/4, a softbox key from the left and a rim light in [MARKENFARBE] from behind, the product centered. [00:05-00:08] Slow push in on the product from a slight low angle as a bright highlight slides across it, the background falling off into soft bokeh. Saturated, high-contrast commercial grade, 24fps with crisp motion. Energetic, confident mood. 8 seconds, 9:16. SFX: a quick whoosh on the whip pan, a satisfying click at the end. Ambient noise: an upbeat, rhythmic background pulse.
Platzhalter ausfüllen 6
Gib jedem Zeitabschnitt eine eigene Einstellungsgröße und einen eigenen Winkel, dann wirken die Schnitte geplant. Text und Logo setzt du im Editor, Schrift im Video wird dort sauberer.
Aus: Google Veo 3.1-PromptsBewegter Hintergrund für Stories mit Text-Overlay.
[MOTIV] with subtle, continuous motion, such as drifting light, gently moving leaves or slow steam. Medium shot from a slightly high angle, the subject in the lower half of the frame. 50mm lens at f/2.8, soft background. Lighting: a large diffused key from above, very soft shadows, low contrast, clean daylight around 5500K. Composition: subject anchored at the bottom, the upper half stays calm and simple as negative space for a text overlay. Camera: locked-off on a tripod with no camera movement, only the motion within the scene. Color palette built around [MARKENFARBE], light matte grade, 24fps. Calm, modern mood. 8 seconds, 9:16. Ambient noise: a soft, calm atmosphere matching the scene.
Platzhalter ausfüllen 2
„locked-off“ ist hier der wichtigste Begriff, jede Kamerabewegung macht das Text-Overlay unruhig. Exportier ohne Ton, wenn die Story ohnehin mit Musik aus der App läuft.
Aus: Google Veo 3.1-PromptsNahbarer Clip für LinkedIn oder Instagram, ohne echte Personen zu zeigen.
A fictional [BERUF] starts the workday: hands open a laptop on a tidy desk, steam rises from a coffee mug, then the view lifts toward a window with morning light over [ORTSTYP]. POV shot from the person's eyes, starting as a close-up looking down at the desk and ending as a wide view out of the window. 24mm lens at f/4, mostly deep focus. Lighting: soft morning sun through the window at around 4000K as the only key, warm and low in contrast, with the laptop screen adding a cool glow on the hands. Composition: desk items along the lower third, the window centered at the end. Camera: handheld with a slight natural sway, a slow tilt up and pan right toward the window. Natural, slightly warm grade, 24fps. Quiet, optimistic mood. 8 seconds, 9:16. SFX: the laptop lid clicking open, keyboard taps, a mug set on the desk. Ambient noise: quiet office murmur in the distance.
Platzhalter ausfüllen 2
Das Weitwinkel von 24mm bringt Schreibtisch und Fenster in eine Einstellung. Tausch Schreibtisch und Gegenstände gegen das, was in deinem Beruf typisch ist, dann erkennt sich die Zielgruppe wieder.
Aus: Google Veo 3.1-PromptsVerwandlung von Vorher zu Nachher oder von Skizze zu Produkt.
Using the provided first frame and last frame, create a smooth, continuous transformation from [STARTZUSTAND] to [ENDZUSTAND]. Keep the shot size, camera angle and lens perspective of the first frame throughout, so only the subject changes. The light keeps its direction and shifts gradually toward the color temperature of the last frame. Composition: the subject stays centered. Camera: one slow, steady push in from start to end, no cuts. The change unfolds with natural physical motion, 24fps. Fascinating, satisfying mood. 8 seconds. SFX: a soft shimmer that builds toward the end. Ambient noise: a calm, airy tone.
Platzhalter ausfüllen 2
Start- und Endbild brauchen gleiches Format, ähnlichen Winkel und dieselbe Lichtrichtung, sonst wirkt der Übergang verzerrt.
Aus: Google Veo 3.1-PromptsStimmungsclip für Karriereseite oder Stellenanzeige.
Fictional colleagues arrive in a bright, modern [RAUMTYP] of a [BRANCHE] company in the morning, greet each other briefly and settle at their desks; nobody looks into the camera. The clip starts as a wide shot and ends as a medium shot, camera at chest height. 24mm lens at f/4, deep focus with the people in the middle ground sharp. Lighting: warm low morning sun through large windows from the right at around 4000K, desk lamps as practical accents, soft shadows and medium contrast. Composition: a central aisle as leading line, plants and natural materials framing the foreground. Camera: slow, smooth dolly in forward through the room on a gimbal. Warm, natural grade with soft highlights, 24fps. Realistic, inviting mood. 8 seconds, 16:9. Ambient noise: soft chatter, distant keyboard typing, a coffee machine. SFX: footsteps on a wooden floor.
Platzhalter ausfüllen 2
Die langsame Fahrt nach vorn (slow dolly in) zieht Zuschauer in den Raum, mehr Tempo wirkt schnell wie Werbung. Kennzeichne das Video als Symbolbild und dreh echte Szenen nach, sobald dein Team einverstanden ist.
Aus: Google Veo 3.1-PromptsRecruiting-Clip für Fachkräfte in Werkstatt oder Fertigung.
Skilled hands of a fictional [BERUF] in proper safety gear work on [WERKSTUECK] in a clean, well-lit [WERKSTATTTYP]. Close-up at workbench height, slightly over the shoulder. 85mm lens at f/2, shallow depth of field with a rack focus from the tools in the foreground to the finished part. Lighting: warm practical work lamps as key from above, cooler daylight from a high window as fill, around 3800K overall, visible texture and moderate contrast. Composition: the edge of the bench as a horizontal leading line, the hands on the right third. Camera: slow lateral tracking from left to right along the bench, then holding still for the focus pull. Documentary realism with light film grain and a warm grade, 24fps. Focused, proud mood. 8 seconds, 16:9. SFX: authentic tool sounds, precise and rhythmic. Ambient noise: quiet workshop hum.
Platzhalter ausfüllen 3
Die Schärfeverlagerung (rack focus) erzählt die Geschichte vom Werkzeug zum Ergebnis. Achte auf Schutzausrüstung im Bild, Fachkräfte merken sofort, wenn Sicherheitsregeln fehlen.
Aus: Google Veo 3.1-PromptsOnboarding- oder Recruiting-Clip mit einem gesprochenen Satz.
In a bright reception area of a [BRANCHE] company, a fictional team lead in their forties walks up to a fictional new employee holding a welcome bag and shakes hands warmly. The team lead says, "[BEGRUESSUNG]" The new employee smiles and nods. Medium two-shot at eye level, both in three-quarter profile. 50mm lens at f/2.8, both faces sharp, the reception softly out of focus. Lighting: soft natural light from a large glass front as key, warm ceiling lights as fill, around 4500K, gentle contrast that flatters skin. Composition: the two people on the left and right thirds, the handshake in the center. Camera: slow push in from the two-shot to a medium close-up during the line. Warm, natural grade, 24fps. Friendly, authentic mood. 8 seconds, 16:9. Ambient noise: light office background sounds.
Platzhalter ausfüllen 2
Beide Personen auf den Drittellinien und der Handschlag in der Mitte geben der Szene Halt. Schreib den Satz am besten auf Englisch, Deutsch ist laut Google nicht geprüft und klingt manchmal ungewohnt betont.
Aus: Google Veo 3.1-PromptsSzene für Karriereseite, die Zusammenarbeit zeigt.
Four fictional colleagues gather around a whiteboard covered in sticky notes in a meeting room of a [BRANCHE] company. One person adds a note while the others discuss and laugh. The clip starts as a wide shot and ends as a medium shot, camera at seated eye level. 35mm lens at f/2.8, the person at the board in focus. Lighting: natural daylight from side windows as key at around 5600K, soft fill bouncing off white walls, low-to-medium contrast. Composition: the whiteboard fills the right two thirds, a blurred shoulder in the foreground frames the group. Camera: slow arc of about 45 degrees around the group from left to right on a gimbal. Natural documentary grade, 24fps. Relaxed, focused energy. 8 seconds, 16:9. Ambient noise: overlapping indistinct conversation. SFX: a marker squeaking on the board.
Platzhalter ausfüllen 1
Der Bogen um die Gruppe (arc) zeigt mehrere Gesichter in einer Einstellung, ohne zu schneiden. Beschreib eine Situation, die es bei euch wirklich gibt, etwa Sprint-Planung oder Schichtübergabe.
Aus: Google Veo 3.1-PromptsKurze Animation, die ein Problem und die Lösung zeigt.
A 2D flat vector animation in a clean corporate explainer style. A simple character sits at a desk, surrounded by floating icons representing [PROBLEM]. The icons swirl, then snap into an orderly row as a glowing [LOESUNG] icon appears in the center. Medium shot, straight-on front view, flat 2D without perspective. No photographic lighting, flat colors with soft long shadows under the icons. Composition: character centered, icons circling around it, the final row on the horizontal center line. Camera: locked-off, all motion comes from the animation, with smooth, bouncy easing at 24fps. White background, palette of [MARKENFARBE] and soft grays. Light, optimistic mood. 8 seconds, 16:9. SFX: playful pops as icons appear, a satisfying chime when they align. Ambient noise: none, clean studio silence.
Platzhalter ausfüllen 3
Bei Animationen wirkt das Timing am stärksten, „bouncy easing“ macht den Unterschied zu starrer Bewegung. Halte Problem und Lösung je bei einem Symbol, mehr Ideen passen nicht sinnvoll in 8 Sekunden.
Aus: Google Veo 3.1-PromptsIntro für Schulungsvideo oder Lernmodul mit fiktiver Person.
A fictional trainer in a modern training room looks directly into the camera with a friendly, confident expression and says, "[SATZ]" Subtle hand gestures emphasize the key word. Medium close-up at eye level, straight on. 85mm lens at f/2.8, the face sharp, a screen showing [THEMA] in soft focus behind. Lighting: soft key from the front left at 45 degrees, a white fill on the right, a subtle rim light from behind for separation, around 5000K, gentle contrast with natural skin tones. Composition: eyes on the upper third, trainer slightly left of center, the screen on the right. Camera: locked-off on a tripod. Clean, natural grade, 24fps. Approachable, competent mood. 8 seconds, 16:9. Ambient noise: quiet room tone.
Platzhalter ausfüllen 2
85mm auf Augenhöhe mit Licht von vorne links ist das klassische Interview-Setup und wirkt sofort professionell. Ein Satz mit höchstens 15 Wörtern passt in 8 Sekunden, für längere Texte sind Avatar-Tools wie Synthesia besser geeignet.
Aus: Google Veo 3.1-PromptsProzess in Logistik, Produktion oder IT anschaulich zeigen.
Small stylized boxes and figures move step by step along a glowing path through [ANZAHL] stations of a miniature [ABLAUF] on a floating platform, from left to right. Isometric 3D animation, wide shot of the whole platform from a high angle of about 30 degrees, everything in deep focus. Lighting: soft global illumination with a key from the top left, gentle ambient occlusion shadows, low contrast. Composition: platform centered, the path as a diagonal leading line from bottom left to top right. Camera: slow crane up, rising gently over the scene with smooth easing. Soft pastel palette with [MARKENFARBE] accents, clean light background, 24fps. Friendly tech-explainer mood. 8 seconds, 16:9. SFX: soft clicks at each station. Ambient noise: a light, airy electronic hum.
Platzhalter ausfüllen 3
Der langsame Kran nach oben (crane up) gibt am Ende den Überblick über alle Stationen. Drei bis vier Stationen sind lesbar, bei mehr Schritten teilst du den Ablauf auf mehrere Clips auf.
Aus: Google Veo 3.1-PromptsAnleitung im Kurzformat, etwa für Kundensupport oder FAQ-Seite.
A clean tutorial video on a light wooden desk. [00:00-00:03] Top-down wide shot, 35mm lens at f/8: hands place [GEGENSTAND] in the center and point at [SCHRITT_1]. [00:03-00:06] Cut to a close-up from a 45 degree high angle, 85mm lens at f/4, as the hands perform [SCHRITT_2]. [00:06-00:08] Cut back to the top-down wide shot of the finished result as the hands lift away. Lighting throughout: bright, even overhead light from a large softbox, 5600K, soft shadows, low contrast. Composition: the object always centered with clear space around it. Camera: locked-off in every shot. Clean, neutral grade, 24fps. Simple, calm mood. 8 seconds, 16:9. SFX: soft realistic handling sounds. Ambient noise: quiet room.
Platzhalter ausfüllen 6
Der Wechsel zwischen Draufsicht und Nahaufnahme macht jeden Schritt eindeutig. Beschreib jeden Schritt als sichtbare Handbewegung, abstrakte Anweisungen kann das Modell nicht zeigen.
Aus: Google Veo 3.1-PromptsEinstieg für Imagefilm oder Karriereseite, wenn noch kein Drohnendreh da ist.
A [GEBAEUDETYP] surrounded by [LANDSCHAFT] at golden hour. Aerial establishing shot that starts high and wide and ends as a wide shot of the main entrance, looking down at about 30 degrees and flattening out as the camera descends. 24mm lens at f/5.6, deep focus. Lighting: low golden hour sun from the side at around 3200K, long warm shadows, soft atmospheric haze, backlit trees with a glowing rim, medium contrast. Composition: the building on the right third, a road or path leading the eye to the entrance. Camera: slow forward drone flight with a gentle descent, smooth and stabilized. Cinematic warm grade with soft teal shadows, 24fps. Calm, grounded mood. 8 seconds, 16:9. Ambient noise: gentle wind and distant birds.
Platzhalter ausfüllen 2
Die Tageszeit ist der stärkste Regler: „golden hour“ mit seitlichem Licht gibt dem Gebäude Tiefe. Das Gebäude im Video ist erfunden, für den echten Standort brauchst du eigene Aufnahmen oder ein Referenzbild.
Aus: Google Veo 3.1-PromptsÜbergang oder Hintergrund für Präsentationen und Imagefilme.
A [STADTTYP] skyline as day turns into night: clouds stream quickly across the sky, office windows light up one by one, traffic turns into streaks of light. Time-lapse establishing wide shot from a high rooftop, slightly high angle onto the city. 35mm lens at f/8, deep focus across the skyline. Lighting: shifts from soft late daylight to cool blue hour, then to warm tungsten windows and sodium street lights, with contrast rising as night falls. Composition: horizon on the upper third, a main road as leading line from the bottom corner into the city. Camera: locked-off on a tripod, no movement. Cinematic grade moving from cool blue to warm amber, 24fps time-lapse. Expansive, energetic mood. 8 seconds, 16:9. Ambient noise: a muffled city hum that grows denser at night.
Platzhalter ausfüllen 1
Beim Zeitraffer muss die Kamera stillstehen, die Bewegung kommt von Licht und Wolken. Nenn eine typische Architektur (Backstein-Altstadt, Glasfassaden), echte Städte und Wahrzeichen nachzubauen ist riskant.
Aus: Google Veo 3.1-PromptsNeutrales Füllmaterial für Software- und Beratungsvideos.
Hands type on a laptop keyboard next to a notebook with handwritten sketches about [THEMA], one hand briefly reaching for a pen. Close-up at desk height from a slight side angle. 50mm lens at f/1.8, very shallow depth of field, the fingers sharp, screen and background in soft bokeh. Lighting: the cool screen glow as key on the fingers, a warm desk lamp in the background as practical at around 3000K, low-key with medium contrast. Composition: the keyboard edge as a diagonal leading line, the notebook soft in the foreground on the left. Camera: slow lateral move from the notebook to the keyboard on a slider. Warm and cool split grade with light grain, 24fps. Calm, focused evening mood. 8 seconds, 16:9. SFX: soft keyboard typing, a pen tapping once on paper. Ambient noise: a quiet evening office.
Platzhalter ausfüllen 1
Offene Blende (f/1.8) hält den Bildschirm unscharf, lesbare Software-Oberflächen erfindet das Modell oft fehlerhaft. Das Spiel aus kühlem Bildschirm- und warmem Lampenlicht gibt dem Füllmaterial Tiefe.
Aus: Google Veo 3.1-PromptsSzene für Vertriebs- oder Imagevideo mit fiktiven Personen.
A fictional advisor in a [KLEIDUNG] sits across from a fictional client in a bright meeting room and slides a tablet across the table. The client asks, "[FRAGE_KUNDE]" The advisor smiles and answers, "[ANTWORT_BERATER]" Shot one: over-the-shoulder medium shot from behind the client onto the advisor at eye level, 50mm lens at f/2.8, the client's shoulder blurred in the foreground. Shot two: cut to a medium two-shot from the side as both nod, 35mm lens at f/4. Lighting: soft daylight from a large side window as key at around 5000K, white walls as fill, gentle contrast that flatters skin. Composition: the advisor on the right third in shot one, the table as a horizontal line connecting both in shot two. Camera: locked-off in both shots. Natural, warm professional grade, 24fps. Trustworthy mood. 8 seconds, 16:9. Ambient noise: quiet office background.
Platzhalter ausfüllen 3
Die Über-Schulter-Einstellung (over-the-shoulder) macht aus zwei Personen ein echtes Gespräch. Zwei kurze Sätze pro Clip sind das Maximum, sonst wird es in 8 Sekunden hektisch.
Aus: Google Veo 3.1-PromptsClip für Service-Seite, Hotline-Werbung oder interne Schulung.
A fictional customer service agent wearing a headset sits at a tidy desk in a modern [SERVICEUMGEBUNG], listens, nods, then says in a calm and friendly voice, "[SERVICESATZ]" Medium close-up at eye level from a slight three-quarter angle. 85mm lens at f/2, colleagues blurred in the background. Lighting: soft window light as key from the left at around 5000K, the monitor adding a faint cool fill, a subtle rim from the overhead lights, gentle contrast. Composition: the agent on the left third, looking into open space on the right. Camera: slow push in from medium close-up to close-up during the sentence. Natural, clean grade, 24fps. Calm, attentive mood. 8 seconds, 16:9. Ambient noise: soft murmur of other agents on calls, light keyboard typing.
Platzhalter ausfüllen 2
Der langsame Push-in während des Satzes lenkt die Aufmerksamkeit auf die Stimme. Lass im Sprechersatz Firmennamen weg, Eigennamen spricht das Modell nicht immer sauber aus.
Aus: Google Veo 3.1-Prompts
Kein Prompt passt zu deiner Suche.